![]() ![]() ![]() The setting-a steampunk alternate historical Egypt-begins with a group of inept British soldiers trying to stop a theft, failing miserably (this is how we met Antonia) and trying to give chase after she gets away, only for her to make it to a large floating brothel run by the so-called “Iron Mistress” (this is how we meet Cleopatra).Īntonia has a mystical object d’art (or relic, or something) she’s trying to offload, Cleopatra has the contacts, and together, they have a simple plan to make some profit. “Antonia and Cleopatra” are a mother-and-daughter team unlike any I’ve read before, and I mean that in the absolute best way possible. This was a case of the latter, and it reminded me to get off my butt and make time for Clockwork Cairo. ![]() ![]() Speaking of “over and over again,” one of the things that happened with Stories to Sing in the Dark was my checking out which place an individual story was originally published, and then either (a) buying a copy of the anthology or magazine in question, or (b) realizing I already owned the anthology or magazine in question and hadn’t read it yet. As of today, I’m a third of the way through my Short Stories 366 project! Huzzah for short fiction! I admit that I’m psyched, and I know I’ve said it over and over again, but I love short fiction and it’s been grand thus far. ![]()
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